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Introduction

Some of the earliest records of humanity exist as markings on rocks and cave walls. Art works throughout history have recorded and interpreted events from various points-of-view: the artist's cultural grouping, the church, the monarchy, the working class, the individual. Visual depictions offer many unique perspectives and serve as "windows" to the past.

However, visual art is not valuable only for the sake of history. Visual art experiences involve artist and viewer in a process of thinking about the world and the artist's place in the world today.

It is important for students to experience visual art both as artists and as audience. As artists, they can use the processes and materials of visual art to explore their own ideas, experiences, feelings, cultural identities, observations and imaginations. As audience, they can see how other artists have expressed their ideas about the world and their place in the world we all share. In contemporary art (including painting, print-making, architecture, sculpture, craft, commercial art, film, video, gallery installations, etc.) we see artists' reflections on the world in our own lifetimes. Through visual art, we come to see and know ourselves.

The visual art program provides students with opportunities to:

The program is organized into three required units and one optional unit:
Unit One From Source to Expression
Unit Two What's It All About?
Unit Three Traditions and Innovations
Unit Four Optional Interrelated Unit
The three components of the Arts Education program are to be integrated within these units. Making art works, solving problems, exploring the visual environment, looking at works of art, and learning about the role of artists in cultures and societies can all be undertaken within each unit.

The creative/productive component

The cultural/historical component The critical/responsive component Historically, education in the arts has tended to focus on one of the three components. For example, art education in the 1940s focused on art appreciation or art history. During the 1960s art education was primarily experiential with a focus on the creativity of the student. The new curriculum includes three components so that the benefits of all three can be experienced.

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