Overview
Unit Two:
The Collective Creation
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Time Frame: 6 - 8 weeks
This unit focuses on shaping and refining episodes from contextual
dramas into a collective creation which may be rehearsed and
performed for an audience.
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Foundational Objectives | Vocabulary
and Concepts
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The students will:
- demonstrate commitment to the dramatic situation and to
roles
assumed within it
- work co-operatively within dramatic situations when shaping
ideas toward collective creation
- develop an understanding of the processes and elements
involved in creating works of dramatic art
- demonstrate the ability to reflect on the work of the group
and on their individual contributions to it
- discover ways in which drama mirrors and influences
individuals, societies and cultures, past and present
- develop critical thought and learn to support
interpretations
and opinions when responding to drama as audience
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- collective creations
- sequencing episodes
- elements of theatre form: focus, tension, contrasts, symbol
- commitment
- negotiation
- drama strategies
- reflection
- perspectives
- intention
- communication
- storyboard
- blocking
- director
- characterization
- playing area
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Common Essential Learnings |
Resources
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- develop a positive disposition to life long learning (IL)
- develop both intuitive, imaginative thought and the ability
to
evaluate ideas, processes, experiences and objects in
meaningful contexts (CCT)
- develop compassion, empathy and fairmindedness in order to
make positive contributions to society as individuals and as
members of groups (PSVS)
- use a wide range of language experiences to develop their
ability to express their knowledge about interests and
concerns (C)
- understand and use the language, structures and formsof
expression which characterize dramatic art form (C).
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- notes and journal writing from previous contextual dramas
- ideas and episodes explored in previous contextual dramas
- school and community resources
- simple homemade or found costumes, props or set pieces
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Instruction | Assessment
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- discussing
- questioning
- viewing
- describing
- analysing
- interpreting
- reflecting
- researching
- individual and pair work
- small and whole group work
- journal writing
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Student assessment in Arts Education is based on the foundational
objectives in each strand. Teachers should take into account
students' perceptual development, procedural and conceptual
understanding, and personal expression. Assessment should be
ongoing and include a wide range of assessment techniques in
relation to the student's creative and responsive processes, as
well as taking into account any culminating product. In Arts
Education, teachers must rely to a great extent on their
observation and record-keeping abilities. Students should be
encouraged to take an active role in their own assessment.
The teacher should:
- discuss objectives and
assessment criteria with
students
- select criteria for
assessment
based on the foundational
objectives for the unit
- observe and record students'
ongoing development related to
the selected criteria
- design assessment charts
- keep anecdotal records
- keep cumulative records
- observe students'
contributions
and commitment to individual
and group experiences
- discuss students' arts
experiences with them
- listen to students'
reflections
on their own arts
experiences
- assess student progress over
time.
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