Art works that are both decorative and
functional. (weaving, fabric design, jewelry-
making and pottery).
Crosshatch
Technique for shading, using two or more crossed
sets of parallel lines.
Culture
Behaviours, ideas, skills and customs of a group
of people.
Distortion
Changing an object's usual shape to communicate
ideas and feelings.
Documentary
film
A film based on facts or real events.
Documented
Often art works which are temporary in nature are
photographed or filmed to record their existence.
Dominant
element
Element in a work of art which is noticed first
(elements noticed later are subordinate).
Draftsperson
An artist who draws plans for machinery and
buildings.
Elements of
art
Colour, line, texture, shape and form.
Emphasis
Principle of design that stresses one element or
area to attract the viewer's attention first.
Exaggeration
Increasing or enlarging an object or figure to
communicate ideas or feelings.
Fine
art
A traditional term for art that is valued for its
qualities, ideas or expressiveness and not just
its technical excellence; for example, painting,
sculpture and architecture.
Flowing
rhythm
Visual rhythm which is created by repeating wavy
lines.
Focal
point
Area of an art work which attracts the viewer's
attention first. Contrast, location, isolation,
convergence and the unusual are used to create
focal points.
Foreground
Part of a picture which appears closest to the
viewer and often is at the bottom of the picture.
Foreshortening
A form of perspective where the nearest parts of
an object or form are enlarged so that the rest
of the form appears to go back in space.
Gesture
drawing
A drawing done quickly to capture a movement.
Harmony
Refers to ways similarities in a work are
accentuated to create an uncomplicated, uniform
appearance.
Hatching
Technique of shading using a series of parallel
lines.
Hieroglyphics
Egyptian writing using symbols.
Hue
Another word for colour (colour has three
properties: hue, value and intensity).
Illusion
A deceptive or misleading image.
Illustrator
An artist who creates images for books,
magazines, etc.
Installation
art
A work of art which is made for and placed within
a certain space. It can activate the viewer to
become involved in the space or react to the
environment.
Intensity
Brightness or dullness of a colour. Intensity
can be reduced by adding the colour's complement.
Isolation
Technique for creating focal point by putting one
object or image alone.
Juxtapose
To place objects side by side.
Kinetic
art
Art work which depends on movement for its
effect.
Linear
perspective
Technique of creating the illusion of depth on a
flat surface. The lines of buildings and other
objects converge to a vanishing point on a
horizon line (viewer's eye level).
Logo
A visual symbol that identifies a business, club,
individual or group.
Maquette
A small preliminary model made by a sculptor
before undertaking a larger work.
Media
Any materials and techniques used to produce a
work of art, such as paint, glass, clay, fibre,
etc.
Middleground
Area in a picture between the foreground and the
background.
Mixed
media
Any art work which uses more than one medium.
Monochromatic colour
Colour scheme which uses one hue and all its
tints and shades for a unifying effect.
Motif
Repeated unit to create visual rhythm.
Negative
space
Space around an object or form.
Neutral
colours
Black, white and grey.
Non-
objective
An art work without a recognizable object.
Opaque
Quality of a material that does not let any light
pass through.
Organic
form
Shapes or forms that are free-flowing and non-
geometric.
Path of
movement
The path along which the viewer's eye moves from
one part of an art work to another.
Pattern
Lines, colours or shapes repeated in a planned
way.
Perspective
Method used to create the illusion of space on a
two-dimensional surface. It can be created by
overlapping, placement, detail, colour intensity
or value, converging lines and size variations.
Petroglyph
A carving or inscription on a rock surface.
Pictograph
A drawing or painting on a rock surface.
Picture
plane
The surface of a drawing or painting.
Point-of-
view
The angle from which something is viewed.
Positive
space
Shapes or forms on a two-dimensional surface.
Principles
of
design
Guidelines that artists use in composing designs
and controlling how viewers are likely to react
to the image. Balance, contrast, proportion,
rhythm, emphasis, harmony, variety and unity are
examples of the principles of design.
Progressive
rhythm
pattern
Visual rhythm that changes the motif each time it
is repeated.
Proportion
Principle of design concerned with the
relationship of one object to another with
respect to size, amount, number and degree.
Radial
balance
Kind of balance where the elements branch out
from a central point.
Random
rhythm
Visual rhythm in which a motif is repeated in no
apparent order.
Regular
rhythm
Visual rhythm created through repeating the same
motif with the same distance between the
repetitions.
Repetition
Technique for creating unity and rhythm by using
a single element or motif over and over again.
Reproduction
Copy of a work of art.
Rhythm
Principle of design that repeats elements to
create the illusion of movement. Rhythm can be
random, regular, alternating, progressive and
flowing.
Scale
The proportion between two sets of dimensions.
Shade
Dark value of a colour made by adding black.
Shape
Element of art that is two-dimensional and
encloses space. Shapes are usually geometric or
organic and have length and width.
Sighting
Technique used in drawing to determine the
proportional relationships of one part of an
object to another.
Simplicity
Technique used to create unity by limiting the
number of variations of an element.
Space
Space in an art work can be the area around,
within or between images or elements. Space can
be created on a two-dimensional surface by using
such techniques as overlapping, object size,
placement, colour intensity and value, detail and
diagonal lines.
Split
complementary
A colour scheme based on one hue and the hues on
either side of its complement on the colour
wheel.
Stippling
Technique of shading using dots.
Style
Style is the artist's ways of presenting things.
Use of materials, methods of working, design
qualities, choice of subject matter, etc. reflect
the individual, culture or time period.
Subject
A topic or idea represented in an art work.
Subordinate
element
Element in an art work noticed after the dominant
element.
Subtractive
method
Sculpture that is made by cutting, carving or
otherwise removing material.
Surrealism
A style of painting concerned with the
subconscious mind and dreams. Many surrealist
artists make unusual combinations of objects
which appeared very realistic.
Symbols
Objects that are intended to represent something
other than themselves.
Symmetrical
balance
Formal balance where two sides of a design are
identical.
Thumbnail
sketch
Quick sketches that an artist uses to work out
ideas.
Tint
Light value of a colour made by adding white.
Translucent
Quality of a material which allows diffused light
to pass through it.
Transparent
Quality of a material which allows light to pass
through it.
Trompe-
l'oeil
Means "fool-the-eye". Style of painting where
the artist creates the illusion of three-
dimensional objects.
Unity
Principle of design that gives the feeling that
all parts are working together.
Value
The lightness or darkness of a colour.
Vanishing
point
In perspective drawing, a point or points on the
horizon where receding parallel lines seem to
meet.
Variety
Principle of design that artists use when they
want to add interest to a work of art.
View
finder
A small, hand-held paper with an opening cut in
it in proportion to the paper size used for
drawing. Students use it by closing one eye and
looking through the opening to determine a
pleasing composition.
Visual
weight
The interest or attraction that certain elements
in an art work have upon the viewer. It can be
affected by size, contour, intensity of colour,
warmth or coolness of a colour, contrast in
value, texture and position.
Warm
colours
Red, yellow and orange. They suggest warm
places, things and feelings.