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Overview

Module Nineteen:
Film and Video Studies



Time Frame: hours
The focus of this module is on film and video as visual art. Through their study, students discover the power and the potential of film and video.

Foundational Objectives Vocabulary and Concepts
The students will:
  • analyze forms of art from a variety of cultures and societies, historical and contemporary; interpret meanings within appropriate contexts, and relate their understanding to their own expressions and life experiences
  • use analytical and critical thought to respond to art works and infer meanings based on the many contexts of visual art and global issues
  • initiate and develop ideas for art-making, transpose these ideas into art forms using a variety of media, and reflect upon their processes and their completed works within the contexts of visual art
  • animation
  • documentary films/videos
  • feature films
  • experimental films/videos
  • social comment
  • storytelling
  • point of view or bias
  • film/video as a reflection of life experience
  • techniques and the expression of meaning
  • editing
  • public screening

Common Essential Learnings Resources
  • develop the ability to think for themselves, and recognize the limits of individual reflection and the need to contribute to and build upon mutual understandings (CCT)
  • understand and use the vocabulary, structures and forms of expression that characterize visual art (C)
  • treat themselves, others and the environment with respect (PSVS)
  • develop appreciation for the value and limitations of technology within society (TL)
  • home/community
  • magazine articles, film posters, reviews, etc.
  • appropriate books listed in the bibliography
  • any available supplies, such as movie cameras, video camera and VCR, computers and companion hardware/software
  • appropriate films/videos listed in the bibliography
  • National Film Board

Instruction Assessment
  • discussion
  • questioning
  • brainstorming
  • creating visual art works
  • viewing art works (describe/analyze/ interpret/judge)
  • small group/whole group/individual work
  • journal writing
  • research
Student assessment in visual art is based on the foundational objectives. Teachers should take into account students' perceptual development, procedural and conceptual understanding, and personal expression. Assessment should be ongoing and include a wide range of assessment techniques focusing on the students' creative and responsive processes, as well as on any culminating product. In visual art, teachers must rely to a great extent on their observation and record-keeping abilities. Students should be encouraged to take an active role in their own assessment.

The teacher should:

  • discuss objectives and assessment criteria with students
  • select criteria for assessment based on the foundational objectives and related learning objectives
  • observe and record students' ongoing development according to the selected criteria
  • design assessment charts
  • keep anecdotal records
  • keep cumulative records
  • observe students' contributions and commitment to individual and group experiences
  • discuss students' visual art experiences with them
  • listen to students' reflections on their own visual art experiences
  • assess student progress over time.

Module Nineteen:
Film and Video Studies

Films and videos have a powerful influence upon students' lives and their ways of thinking. Students should explore some of the many Canadian films and videos available through the National Film Board and other sources. They should become aware of some of the local, national and international film and video artists who have won acclaim in this field. Students will discover the range of work available and some of the social, political, historical and personal themes that film and video artists draw upon. Students will also create their own films or videos according to their interests and the available equipment.

Suggested Activities Possible Resources
Introduction

The students will:

  • analyze and evaluate the meaning and influence of visual art, including mass media and popular culture, in their daily lives
  • demonstrate the ability to write critically about visual art, basing ideas on evidence found in the works and the cultural contexts of the works
  • explore some of the many career avenues and future learning opportunities in visual art
  • develop an understanding of the issues and concerns of visual artists and explore controversies related to the arts
 
Students should begin this study by looking at and talking about movies that are important to their lives and reflect their interests. What are common themes that they enjoy? Read movie reviews from the local paper and compare the reviewers' opinions to student opinions of the same films. Do reviews affect the public's opinions of the movie? Discuss the issue of censorship in movies. Should some movies be banned? How do movies affect our views of ourselves and what we think? Examine some of these issues in more depth. For example, students could debate the issue of censorship Films, film clips, videos, etc. that are of interest to students
In their journals, have students write a review of a movie they enjoyed. What techniques were used to maintain the students' interest? What makes for a "good" or a "bad" movie? Read and discuss the students' reviews.

Discuss genres in movies, such as mysteries, westerns, dramas, comedies, science fiction, horror, romance, spy, etc. What are the characteristics of the genres? How does genre affect characterization and structure? Have students select a genre and write scripts for a short section. Compare the results, focusing on the genre characteristics.

How many occupations are involved in the film and video industry? Interested students may wish to research some of these careers and report their findings to the class. Small groups of students could also choose and research the techniques of an area such as special effects or make-up.

Newspapers with reviews of films and videos

Mass Media and Popular Culture: 2nd edition by B. Duncan

Suggested Activities Possible Resources
Animation

The student will:

  • research to understand the traditional and contemporary visual art of various cultures, past and present, including Aboriginal cultures
  • understand that visual art is a form of communication and critically examine non-verbal communication in art works of all kinds
  • investigate how artists', art historians' and critics' views about art change over time and will continue to change
 
Students can look at some Canadian animation. Excellent examples can be obtained from The National Film Board of Canada. How has the artist used the materials and animation techniques in a uniquely personal way? What is the artist communicating through the work? Students may wish to study the works of well-known filmmakers to determine how their works have developed during their careers, (Norman McLaren, for example). Compare Canadian works to American and Japanese animated works. Is it possible to identify a style that is unique to each country? If so, how has that style developed?

Some animation artists use highly sophisticated technology in their work. Look at new developments (computer technology, for example). View examples of animation from the past and determine how animation has changed over the years due to advancements in technology.

The Man Who Planted Trees (video)


Mother Earth (16mm film)


The Genius of Norman McLaren (video)


Selected Films of Norman McLaren, Parts I and II (videos)




Examples of early animation

Suggested Activities Possible Resources
Documentaries

The students will:

  • recognize that artists make choices in their work which reflect themes and points of view that are both personal and social Documentary Lens - National Film Board (NFB) {8694:8971}
  • determine how unlike art forms and styles require different criteria for interpretation and evaluation
  • investigate the role and functions of visual art
 
Ask the students to describe what they know about documentaries. View examples of documentaries. What are the purposes of the documentaries viewed? How are documentaries different from other films? How has each artist presented the documentary according to his or her point of view? What special techniques have the artists used to challenge the viewer, support the theme of their works and keep the audience's interest? How do the images, sounds, editing, filming techniques, etc. work together to convey the ideas of the artists? How does the documentary artist choose particular aspects of the story to present his or her interpretation? Question the slant or bias that is presented in documentary works. How might a filmmakers' point of view be challenged by a documentary project? Have students consider documentary film as a way of learning for the filmmaker. If the students were to film a documentary, what issue would they choose and how would they present it? Have students write in their journals to describe a potential documentary film project. They should consider their point of view and how it might be challenged by such a project. Constructing Reality: Exploring Media Issues in Documentary (videos and guide)
Suggested Activities Possible Resources
Student Film or Video Production

The students will:

  • use preliminary analyzes, personal notation and drawing when developing ideas, solving problems or clarifying meanings
  • purposefully use the creative process in the development of art works
  • reflect on their own decision-making and problem-solving processes, the ideas represented in their work, and the value of their expressions as their own unique viewpoint
  • work effectively in a group
 
Have students work in small groups to create a short film or video. They should begin by choosing the type of film or video they wish to create -- documentary, animation, genre, video art, etc. Their choice may be limited by available equipment. Allow students plenty of time to research techniques, consult with knowledgeable community members, create story boards and/or scripts, etc. Discuss editing techniques and equipment. Discuss the student films and determine how the techniques used were effective in communicating the students' ideas. Have students reflect on what they might do differently if they were to do the project again. Invite parents, teachers, administrators, and others to view the student works.




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