Stage 4: Students develop sound-letter strategies.

Understanding the sound-letter relationships helps students analyze/decode words and spell. Sometimes sound-letter relationships need to be explicitly taught; sometimes they are learned without instruction. Practice in graphophonic analysis should be combined with context analysis more often than it is conducted in isolation.

Whether a graphophonic pattern is introduced or discussed in a writing experience, a reading experience, a direct lesson, or a phonogram chart, students need to apply immediately what they are learning as they read.

Good readers use combined knowledge of pragmatic, textual, syntactic, semantic, and graphophonic cues to draw meaning from print. See pages 254-255 for problem-solving strategies using all of the cueing systems.

Phonics Instruction

Effective phonics instruction focuses students' attention on noticing the letter-sound patterns in initial consonants and consonant clusters, and in rimes. Some useful strategies include:

Whole, to Part, to Whole: Whenever possible, teach phonics within the context of a story using a whole, to part, to whole approach. For example:
  • Use cloze procedure to leave out or cover up a word, leaving only one or two initial letters, or initial letters and final letters.
  • Change a letter in words in text (initial letters, final letter, digraphs, blends, vowels, endings, etc.) and have students attempt to read the changed text, find the mistake, and explain how to fix it.
  • Replace words with rhyming words, read, and fix.
  • Begin all words with the same letter/sound, read, and fix.
  • Find words that are similar in spelling.
  • Find patterns in different words (e.g., digraphs, blends, dipthongs, vowel patterns).
Teachable moments: Teach phonics through "teachable moments". Several approaches can be used.

Analytic (Specific Sound) Mini-lesson: Provide students with strategies for decoding unknown words based on their knowledge of phonic elements in familiar words. The teacher selects the targeted sound(s) and develops a list of easy words that contain the target sound(s) (May, 1994).

The teacher writes a sentence for each word and weaves the sentences together to make a short story, and then reads the sentences aloud to the students. The students echo-read each sentence. The teacher says each underlined target word and has the students repeat each word.

The teacher says all the target words again and has the students look to see what letter or letters are the same in each word. The teacher says the words again and has the students listen to determine what sound, or sounds, are the same in each word. The students share other words that have the same sound(s).

Synthetic (Sound Blends) Mini-lesson: Teach decoding skills by providing instruction in specific letter sounds and how to blend them together to decode unknown words. The teacher writes the target sounds/symbols on the board and tells the students what sounds they make. As the teacher points to the letters, the students make the sounds.

The teacher models and reminds students how to blend sounds. The students blend the phonemes into a word.

The teacher writes the word produced and has the students say it slowly and then quickly. The procedure is repeated for other words and then the words are written into meaningful sentences (May, 1994).

Analogic (Word Family) Mini-lesson: Teach students to notice patterns in words and to use the words they know to figure out other words (Cunningham in Gambrell, Morrow, Neuman, & Pressley, 1999). Rather than teaching students phonics rules or expecting students to verbalize them, students learn to decode and spell based on analogy (Moustafa, 1997). "For short words, the patterns are beginning letters - all the letters up to the vowel (sometimes called onsets and spelling patterns) and then the vowel and what follows (sometimes called rimes, phonograms, or word families)" (Cunningham, 1999, p. 86). The study of high-frequency rimes generates many words and gives students an opportunity to develop an understanding of letter-sound relationships and English spelling. May (1994, p. 195), for example, urges teachers to focus on rimes rather than on vowels to help students see the vowel letter in a pattern along with the particular letters that follow and control its sound. The teacher presents two words with the same rime (a vowel and any consonants that follow it in a syllable - e.g., bash and cash) and asks the students for more words that end with the same three letters. To make the experience more visual, the teacher writes the words with a vertical line separating the rime from the other letters, or underlines it with different-coloured chalk (e.g., dash, trash, slash, thrash).

Syllabication: Coincide or follow instruction on word families (grades 1, 2, and 3), vowel patterns, and suffixes with syllabication instruction (usually grade 3) - decoding words by chunking larger words into smaller bits so they are easier to decode (May, 1994, p. 210). The number of vowel sounds heard indicates the number of syllables in a word. The purpose of teaching syllabication strategies is to help students apply graphophonic analysis to syllable units in long words. Syllabication lessons should grow out of words found in stories and be applied back to those stories.

Temporary Spelling: Encourage students to apply what they know about phonics through temporary spelling. Phonics knowledge is developed by encouraging and helping emergent writers to spell by writing appropriate letters for the sounds they hear in words.

High-utility Generalizations: Be sure students can actually use a phonics generalization. Do not assume because they can verbalize it that they can use it. In addition, be cautious of confusing students with generalizations that are frequently broken (e.g., "the 'e' at the end of a word makes the vowel long" rule is broken by words most frequently seen by beginning readers including come, done, some). Word recognition must become something students can do on their own as they read because they will be expected to read words they have never seen before in print. There are many word identification and word analysis strategies that students can use when they encounter new or difficult words. These decoding strategies require explicit teaching in meaningful contexts, as well as many opportunities for students to read and reread words in other contexts.

Problem Solving Using All the Cueing Systems

Pragmatic Cues

When students understand that people use language differently in different contexts, they are drawing upon pragmatic knowledge. For example, students may notice that adults talk differently to a baby than to another adult. English as a Second Dialect speakers might notice that the language spoken by teachers at school is different from the language spoken by members of their family even though both are speaking English. Pragmatic knowledge helps students know what to expect. For example, students come to recognize the difference between a poem and a story by the use of language.

Textual Cues

When students understand that people use different forms to communicate ideas, they are able to problem solve using textual cues. An experienced reader knows that the organization and presentation of ideas is aided by ordering concepts, using headings, etc.

Syntactic Cues

A knowledge of syntactic cues allows students to understand that writers arrange words in different sequences that make sense. They also use a variety of punctuation cues to help the reader understand whether the sentence is a question, statement, or exclamation.

Semantic Cues

When students are familiar with the topic of a text because they have had personal experiences related to it, they are able to make use of this background knowledge to predict what an unfamiliar word or phrase might say. For example, students encounter the sentence, "The pitcher threw the ball", in which the word pitcher is unfamiliar. Those students who are interested in baseball are more likely to predict the unfamiliar word. In this example, students who predicted that the word might be "pitcher" as opposed to "he" would also be making use of syntactic knowledge. They might recognize that, because of the word order (syntax), "he" does not make sense.

Encourage students to make use of their "language sense" (integrating syntactic and semantic knowledge) by asking questions such as:
  • Did that make sense?
  • Did that sound right?
  • What do you think would make sense in this story about baseball?
In the Emerging Phase, such strategies are developed informally during group times such as morning message, shared language, or shared reading.

Graphophonic Cues

When students begin to develop an understanding of letter-sound relationships, they can use this knowledge to predict what an unfamiliar word might be. If a student knew the "p" letter-sound relationship, he or she could use it to support the prediction of "pitcher" as opposed to "catcher" or "he" in the example, "The pitcher threw the ball."


Other Problem-solving Strategies

Use of Picture Clues

One of the first reading strategies that students use is that of inventing text in a storybook through use of picture clues. This strategy can be encouraged as students attempt to decode text accurately. To prevent an over reliance on picture clues, teachers need to teach students to use them in conjunction with their cueing systems, prior knowledge, and other problem-solving strategies.

In the Emerging Phase, teachers can strengthen use of picture clues in two ways. Firstly, teachers can do this by drawing relationships between pictures and text during story time or shared reading. Secondly, teachers can choose books for beginning reading experiences that have a good page by page match of picture to text. See Fountas and Pinnell (1996) for examples of books with this quality.

Strategies that Integrate Semantic and Syntactic Knowledge


  1. What has Already Happened

    Keeping in mind what has already happened can give important clues about what will happen next. Students will make use of this knowledge when they have developed the understanding that, just like oral language, printed language makes sense. Reading to students daily develops this understanding.

    It can be further developed during shared reading times by asking questions such as:
    • Do you remember the part we read before about …?
    • What do you think might happen next?


  2. "Reading On"

    Students can be taught to read ahead, skipping the unknown word and then going back to see if they can fill it in according to what would make sense in the sentence. During the Emerging Phase, teachers can develop this practice during shared reading time or as part of figuring out the morning message.

  3. Predictable Patterns in the Text

    Many students' books contain predictable patterns such as repetition, rhyming, or rhythms. When students have grasped the pattern of a particular book, they can use that pattern to predict new text and to participate in shared reading. Using such books regularly during the Emerging Phase can support students in using predictable patterns to read and to write more independently.
Integrating Structural Analysis with Graphophonic Knowledge

There are many occasions when students' attention can be drawn to patterns in word endings such as "ing", "ed", "er", and "est". When students have a chance to see as well as hear these patterns, this knowledge gets added to their existing graphophonic knowledge.



Aural/Oral Discrimination
 
Visual Discrimination

K



Pre-K



Focus on Environmental Sounds
Example: Sound Walks

Sound/Listening Games for Enjoyment and Exploration
Example: What's My Pattern?
Focus on Shapes and Patterns in Environment

Visual Discrimination Activities
Examples: Name recognition activities, concept of letter/word activities

Games
Examples: Memory, Lotto (versions for young students)

1



Phonemic Awareness

Language Play Activities
Rhyming
Alliteration
Songs, chants, etc.

Segmenting and Blending Activities
Count the words
Clap the syllables
Blend and segment compound words
Blend and segment syllables
Blend and segment phonemes

Letter Recognition

Letter Discrimination/Forming Activities
Examples: Guess my Letter
ABC Centre
Alphabet (letter names and order)

2




Initial and Final Consonant Deletion
Examples: Say jeep. Say it again without the j.
Say jeep. Say it again without the p.

Graphophonic Analysis

1. Initial consonants related to one sound (b, f, h, j, k, d, l, m, p, r, t, n, v, w, y, z)*
2. Initial Consonants related to multiple sounds (s, c, g, q, x)
3. Y as a vowel
4. Final consonants
5. Word families (onsets and rimes)

Onset: The consonant, blend, or digraph before the vowel in a syllable or one-syllable word (for example, the "c" in cat, the letters "pl" in plate, and the letters "ch" in chair).

Rime: A vowel and any consonant that follows it in a syllable (e.g., the letters "at" in cat). Rimes are often called word families.





Structural Analysis

-s ending

-es, -ing, -er, -ed, -est endings

Compound words

Possessives ('s)
Contractions

Short-vowel families (phonograms):
a = at, an, ap, and, ack, ash
e = et, est, ell
i = it, in, ip, ick, ing, ink, ill
o = ot, op, ock
u = ug, uck, ump, unk

Long-vowel families (phonograms):
a = ate, ake, ame, ale, ay, ain, ail
e = eat
i = ide, ice, ine, ight
o = oke, ore

Alternate-vowel sounds:
all, aw, ir, or



5




4



3



6. Additional Word Families

Short-vowel families (phonograms):
a = ad, am
e = ed, en
i = id
o = ob
u = ut, unch

Long-vowel families (phonograms):
a = ane, aid, ade, ait
e = eet, eal, eel, ead, eed
i = ite
o = ote, oan, one
u = ute, oot

Consonant blends with s, r, I

Consonant digraphs (sh, th, ch, wh)

Medial consonants (the t sound in kitten)

r-controlled vowels (ar, er, or, ur) (r and w-controlled)

Vowel digraphs (oo, ew, au, oi, oy, ou, ow)

Other vowel patterns (ough, augh)



Review any of the above for students who need it.
Inflected Forms: -s, -es, -ed, -ing, and -er, -est


Possessives



Compounds



Contractions



Derived forms: -y, -ly, -er with known roots (e.g., rainy, softly, former).











Derived forms of more complexity.

Prefixes and suffixes combined with known root words (e.g., subdivide, pre-arrange, laughable, guidance).

Prefixes and suffixes combined with Latin and Greek roots (e.g., subterranean, prefer, predict, portable).

* Experienced teachers suggest that d, p, m and n should not be taught together.

Notes:
1. Because all vowel sounds are controlled by the letters that follow them, it is often more effective to teach vowels within word families or phonograms than to teach "long" and "short" vowels as though they existed independent of the letters that follow.

2. Teachers may wish to consult resources such as Ericson and Juliebo (1998) and Dahl, Scharer, Lawson, and Grogan (2001).

Book Suggestions for Language Play: Prose, Poetry, Word Play, Tongue Twisters, Songs, and Jump-rope Rhymes
The books in this list offer a starting point only - there are many more. Books that come in a Big Book format are marked with an asterisk (*).

All About Arthur: An Absolutely Absurd Ape (Carle)
All Together Now (Jeram)
Alligator Pie (Lee)
Amelia Bedelia (Parrish)
The Beauty of the Beast: Poems from the Animal Kingdom (Prelutsky)
The Biggest Tongue Twister Book in the World (Brandeth)
Bringing the Rain to Kapiti Plain (Aardema)
Butterscotch Dreams (Dunn)
Buzz Said the Bee (Lewison)
A Child’s Treasury of Nursery Rhymes (Denton)
Click, Clack, Moo: Cows That Type (Cronin)
Crackers and Crumbs (Dunn)
Deep Down Underground (Dunrea)
Dinosaur Chase (Otto)
Dirty Dog Boogie (Lesynski)
Don’t Forget the Bacon (Hutchins)
The Dove Dove (Terban)
Down by the Bay (Raffi)
Eight Ate: A Feast of Homonym Riddles (Terban)
Eeni Meenie Manitoba: Playful Poems and Rollicking Rhymes (Hiedbreder)
Faint Frogs Feeling Feverish, and other Terrifically Tantalizing Tongue Twisters (Obligado)
Fly With Poetry: An ABC of Poetry (Harley)
Fox in Socks (Seuss)
Frederick (Lionni)
Frogs in Clogs (Samton)
From the Top of a Grain Elevator (Nickel)
A Giraffe and a Half (Silverstein)
*Goggly Gookers (Cowley)
The Gooch Machine: Poems for Children to Perform (Bagert)
Green Eggs and Ham (Seuss)
Hand Rhymes (Brown)
The Happy Hippopotami (Martin)
Henny Penny (Galdone)
Here Comes Mother Goose (Opie)
Hickory, Dickory, Dock (Muller & Duranceau)
The Hopeful Trout and other Limericks (Ciardi)
The Hungry Thing (Slepian & Seidler)
The Hungry Thing Returns (Slepian & Seidler)
Hush, Little Baby (Zemach)
I Can Fly (Krauss)
I Don’t Care! Said the Bear (West)
I Love You, Good Night (Buller & Schade)
In the Small, Small Pond (Fleming)
In the Tall, Tall Grass (Fleming)
Is Your Mama a Llama? (Guarino & Kellogg)
The Itsy Bitsy Spider (Trapani)

I Know an Old Laddie (Little)
The Lady with the Alligator Purse (Westcott)
Lemonade Poems and Other Summer Poems (Dotlich)
The Listening Walk (Showers)
Jelly Belly: Original Nursery Rhymes (Lee)
*Jewels, Children’s Play Rhymes (Harwayne)
Jillian Jiggs (Gilman)
*Letter Clusters (Iversen)
Moose on the Loose (Ochs)
Mrs. Wishy Washy (Cowley)
My Parents Think I’m Sleeping (Prelutsky)
Noisy Poems (Bennett)
Oh, A-Hunting We Will Go (Langstaf)
101 School Jokes (Eisenber & Hall)
Old Mother Hubbard (Provensen & Provensen)
One Sun: A Book of Terse Verse (McMillan)
1000 Knock Knock Jokes for Kids (Kilgarriff)
One Wide River to Cross (Emberley)
Pat the Cat (Hawkins & Hawkins)
Pigs Aplenty, Pigs Galore! (McPhail)
Pigs in the Mud in the Middle of the Rud (Plourde & Schoenherr)
Poems for 7-year-olds and Under (Nicoll)
Read Aloud Rhymes for the Very Young (Prelutsky)
Roar and More (Kuskin)
Row, Row, Row Your Boat (Muller)
Sheep on a Ship (Shaw)
Sing a Song of Mother Goose (Reid)
Sing a Song of Popcorn (De Regniers, Schenk, White, & Bennett)
Six Sleepy Sheep (Gordon)
Something Big Has Been Here (Prelutsky)
Stop that Noise! (Geraghty)
Surprises (Hopkins)
The Random House Book of Poetry for Children (Prelutsky)
The Sky is Full of Song (Hopkins)
The Teddy Bear Book (Marzollo)
There’s a Wocket in my Pocket (Seuss)
The Turnip Top Pony (Simpson)
A Twister of Twists, A Tangler of Tongues (Schwartz)
Tiny Tim (Bennett)
Tomie dePaola’s Mother Goose (dePaola)
Vanilla Gorilla (New)
We’re Going on a Bear Hunt (Rosen)
What am I? Very First Riddles (Calmenson)
What’s a Frank Frank? (Maestro)
When We Were Very Young (Milne)
Where the Sidewalk Ends (Silverstein)
Ziggy Piggy and the Three Little Pigs (Asch)
Zin! Zin! Zin! A Violin (Moss)