| The use of thematic units permits a broadening of pedagogical concerns in English studies beyond those of genres, periods, and particular authors and works. The thematic approach reflects a concern with the personal growth of the reader/writer versus an emphasis on specific literary works as objects worthy of study for their own sake (Goldbort, 1991, p. 72). |
Language use and language learning are fostered when learners are engaged with stimulating themes and issues that are meaningful to them. Courses and units organized by themes and issues offer students meaningful contexts for working with and learning language. This organization encourages the use of all language strands and accommodates a wide range of literacy and other resources.
Issue and theme-based courses help students learn language as they speak, listen, write, read, represent, and view issues, beliefs, and assumptions about life and the world and the language and texts that express them. They also allow for interdisciplinary study.
In addition, using themes and issues as a framework for discussion and inquiry requires students to use language and language conventions purposefully and effectively as they process information, make decisions, solve problems, and think creatively and critically.
Themes and issues help students put language learning into the larger context of discovering the "connectedness of things" (Boyer, 1995, p. 17). Secondary Level students find thematic and issue-based units appealing when the topics engage their interests and connect with their experiences and with issues that concern them.
In order to provide students with a range of experiences without giving the
language processes or literary selections a superficial treatment, it is suggested
that teachers plan a minimum of two units for each course.
English Language Arts A10 (ELA A10) is organized around themes. Thematic units suggested in this curriculum are:
Canadian Frontiers and Homeland--Journeys and Discoveries
Possible sub-themes include: Roots and Identity, Traditions and Celebrations, Beliefs and Search for Meaning, Cultural Encounters.
Challenges--Opportunities and Obstacles
Possible sub-themes include: Quests and Adventures, Courage and Leadership, Struggle and Achievement, Conflict and Search for Peace.
The Unknown--Hopes and Fears Possible sub-themes include: Mystery and
Suspense, The Unexplained, Fantasy, Science Fiction, The Future
.
English Language Arts B10 (ELA B10) is an issue-oriented course that is organized around the human concerns facing contemporary society. Issue-based units suggested in this curriculum are:
Decisions--Action or Apathy
Related issues include: Life Pressures, Values, Consequences, Career Decisions, Apathy versus Action.
Environment and Technology--Reality and Responsibility
Related issues include: Survival, Disasters, Animal Rights, Urban and Rural Issues, Ecology and Technology.
Equality--Pain and Pride
Related issues include: Judging and Misjudging Others, Rights and Responsibilities, Inequalities, Racial Tensions, Justice and Fairness.
One sample unit for ELA A10, The Unknown (50 hours), and one for ELA B10, Equality
(50 hours), are provided in the curriculum guide. These sample units can be
used as models for planning and teaching.
English Language Arts 20 (ELA 20) is organized around themes that are of interest to adolescents and that focus on self, society, and what it means to be human. In this course:
Sample themes suggested in this curriculum are:
Recollection--A Journey Back
Possible subthemes include: Innocence and Experience, Family and Peer Relationships, School and Education, Wonder and Imagination, Triumphs and Defeats.
Anticipation--On the Threshold
Possible subthemes include: Roles and Responsibilities, Choices and Commitments, Perspectives and Passages, Values and Goals.
A sample unit for ELA 20, Recollection--A Journey Back, is provided in the
curriculum guide.
English language Arts A30 (ELA A30) is organized around themes that focus on
Canadian literature and society. Themes in this curriculum are
:
Canada--Diverse Landscapes and Peoples
Possible subthemes include: A Vast and Varied Land, Nature and the Seasons, Regional Landscapes, Identity and Diversity, Personalities and Values.
Canada--Diverse Voices
Possible subthemes include: Aboriginal Voices, Voices Through Time, Regional
Voices, Multicultural Voices, Female and Male Voices, Marginalized Voices.
English Language Arts B30 (ELA B30) is an issue-oriented course that is organized around human concerns in a global society. English Language Arts B30 examines global perspectives using traditional and contemporary world literature in a comparative manner. Issue-based units in this curriculum are:
The Human Condition--In Search of Self
Related issues include: Identity and Sense of Self, Human Qualities and Ideals, Human Relationships, Joy and Inspiration, Doubt and Fear.
The Social Experience--Beyond Personal Goals
Related issues include: Individual and Social Responsibility; Truth and Justice; Ambition, Power, and the Common Good; Social Criticism; Causes and Crusades.
Sample units for ELA A30, Diverse Landscapes and People (50 hours), and ELA
B30, The Human Condition--In Search of Self (50 hours), are provided in the
curriculum guide. These sample units can be used as models for planning and
teaching.
Students at the Secondary Level also have the option of at least one of the following elective English language arts courses:
Creative Writing 20
Journalism Studies 20
Communication Studies 20
Media Studies 20.
Separate curricula and resources are identified by Saskatchewan Education for
each of these elective courses. Corresponding resources have also been identified.
Suggested language resources as well as other resources are found in English Language Arts Bibliographies developed by Saskatchewan Education. Throughout each course, students should continue to hear, read, view, and study a range of significant texts that are complemented by the students' extended personal reading. Students should also learn about the English language and its use.
A resource-based curriculum encourages students and teachers to use a variety of resources in their learning and teaching. Teachers are encouraged to select and adapt their materials, instruction, and environment to meet the abilities, needs, and interests of each of their students.
This curriculum encourages teachers and students to explore a range of literature: traditional as well as contemporary voices, Aboriginal as well as non-Aboriginal voices, female as well as male voices, Saskatchewan and Canadian as well as world voices.
It is important to keep in mind that English language arts is more than literature. Literature is a vehicle for achieving the language arts objectives. When choosing selections, attention must be given to the language processes that students are to experience. The learning objectives and language study concepts provide the framework for all activities.
The program created should reflect a balance of experiences with all the language processes, and integration should be planned rather than being left to chance. Balance should also be reflected in the selection of resources. Selections that have withstood the test of time as well as contemporary selections should be included. Although it is possible to place some selections in more than one theme or unit, schools are encouraged to co-ordinate material selections as much as possible so that repetition can be avoided.
Media other than print can play two important roles in the English language arts classroom. Firstly, they can enrich students' appreciation and extend their literary experiences. For example, students might read a dramatic selection and then listen to an audiotape or adapt a stage play for radio. Secondly, students can explore media as legitimate literary forms. In this way, students should become informed and critical consumers of various media.
Students might also explore the specific techniques used by producers, directors, advertisers, or writers in a range of media. Either way, using various media extends students' literary and language experiences. In this curriculum, language and the language objectives form the basis for planning and activities. Print and other media selections should not be so numerous as to limit the range of experiences in the language arts. When planning units, teachers should choose carefully a minimum number of literary selections to accomplish the objectives of the program. The following chart provides guidance for this selection.
Minimum Guide for Resource Selection
| Course | Short Stories | Essays | Poems | Plays | Full-length Nonfiction and Novels | Other Media |
| ELA A10
ELA B10 | 3 Intensive
3 Intensive | 3 Intensive
3 Intensive | 5 Intensive
5 Intensive | 1 Intensive
1 Intensive | 1 Intensive
1 Intensive | Focus is on advertisements, posters, films, television, and video presentations |
| ELA 20 | 3 Intensive | 3 Intensive | 5 Intensive | 1 Intensive | 1 Intensive | Focus is on advertising, radio, and photographs |
| ELA A30
ELA B30 | 3 Intensive
3 Intensive | 3 Intensive
3 Intensive | 5 Intensive
5 Intensive | 1 Intensive
1 Intensive | 1 Intensive
1 Intensive | Focus in on visuals, films, and multimedia presentations |
An "intensive" selection is one that is studied in some detail for a specific purpose. It is usually part of a whole-class study. "Extensive" study is intended for application of previously learned strategies and/or for personal enjoyment.
For instructional, assessment, and evaluation purposes, teachers should choose resources and selections from the respective English language arts bibliographies or alternative resources that have not been suggested at previous grade levels and that pose comparable challenge to the students. The Shakespearean plays should be chosen from the plays listed in the English language arts bibliographies.
Sample Resource Selection Guide
| Approach | Short Stories | Essays | Poems | Plays | Full-length Nonfiction and Novels | Other Media |
| Intensive, Guided Study | ||||||
| Extensive Study for Personal Enjoyment and Application |
A curriculum guide gives suggestions for ways teachers can help students develop language competencies according to students abilities and potentials.
Foundational objectives are stated for each level. These objectives comprise the key knowledge and abilities that students should develop during their secondary school years.
The learning objectives describe specific knowledge and abilities for each grade level. They are designed to help students achieve the foundational objectives. They guide language experiences, resource selection, classroom activities, daily instruction, and assessment.
Because the curriculum is a guide, teachers are responsible for planning the actual program and activities that are appropriate for their students. This curriculum advocates an approach to instruction where learning objectives form the basis, and themes and issues provide the organizational framework for language use and development. Themes and issues provide an opportunity for students to speak, listen, write, and read about particular topics and issues.
Recommended Procedure for Planning
Sample Activities to Achieve the Objectives
for English Language Arts 10
English Language Arts A10
Speaking
|
Listening
|
Writing
|
Reading
|
Representing
|
Viewing
|
English Language Arts B10
Speaking
|
Listening
|
Writing
|
Reading
|
Representing
|
Viewing
|
Sample Activities to Achieve the Objectives
for English Language Arts 20
Speaking
|
Listening
|
Writing
|
Reading
|
Representing
|
Viewing
|
Sample Activities to Achieve the Objectives
for English Language Arts 30
English Language Arts A30
Speaking
|
Listening
|
Writing
|
Reading
|
Representing
|
Viewing
|
English Language Arts B30
Speaking
|
Listening
|
Writing
|
Reading
|
Representing
|
Viewing
|
Objectives
What is expected of students at this level (in this course)? What do I want students to learn in this unit? What skills and strategies need to be taught, reinforced, or reviewed?
| What are the key language concepts for this unit? |
Learning Activities and Assessment Strategies
| Activities | Assessment and Evaluation |
| Initiating Activities: How will students be engaged in this
unit? How will the theme or issue be introduced? Core Activities: What series of planned activities and specific
lessons (with a before, during, and after structure) will students experience
to help them achieve the objectives and learn the language concepts,
skills, and strategies? Culminating Activities: How will closure be brought to the unit?
|
How will students be assessed and evaluated? Where in the unit will this occur? What will each evaluation be worth? How will students' final marks for this unit be determined? How will students be involved in the evaluation process? |
Resources
| Key Language Resources (including dictionaries, handbooks,
models). |
To achieve balance of authors, characters, and content,
include:
|
In addition to course planning, teachers must give consideration to classroom focus, expectations, and routines. They must have realistic expectations of their students and these expectations must be communicated. At the beginning of a course, students should know the following:
An important goal of this program is to encourage students to become more responsible for their own learning. Students need to become active participants in the classroom and involved in the various processes, including assessment. When teachers set reasonable expectations in consultation with students, students have goals towards which they can move in order to become increasingly responsible for their own learning.